Goodnight, Gracie

Bo awoke early. Earlier than usual. He intended to have what Ellie referred to as a decent breakfast. Eggs, toast, fruit? Muesli? More protein? Less protein? He was determined but remained unsure of what to make and chose instead to shower and wait for her to get up.

They had been living in an independent living community for almost a year, and Bo felt an increasing degree of acceptance of the arrangement. It was part of a continuing care retirement community. It was expensive. He had researched it. They had planned well to meet the initial costs and the monthly fees.

He called it The Home. Ellie did too.

Mike Barletta lived there. Sam Janssen was considering it. It would be good. Or, it would be what it would be.

He showered. Long and hot, and toweled off on the soft bathmat while listening to Ellie dressing and leaving the bedroom.

These long mornings together, after so many years spending most of the time apart during the days at work were, on the whole, good for him. He wanted them to be good for both of them. But, again, he was unsure. He knew that he could sometimes be demanding. When he had been, he immediately would see how it affected her. A momentary wince. A reticence to respond.

He sensed, too, that this move would, unlike the several  other moves they had made together, be different. Perhaps with more baggage rather than  less. Not only that, but it would be the last move they would make together. That it might cause a material shift in the way they related to one another. The proximity and pressure of their near constant presence. What they might be thinking and guardedly not saying. Feeling and not expressing. Seeing and not seeing or choosing not to see.

He wondered, too, if others in the community, men he might see every day and spoke with often, also feel that need for some degree of the tentative remoteness he was feeling? Was there something so essentially threatening and fear-provoking in the prospect of daily contact, scrutiny, and exposure? Or was it just him? Dreading to approach it from any distance or angle. That there might be some deeply hidden secret past that would be discovered. What Anna Freud may have called protective foundational repression. A forgotten bill left unpaid many years ago accumulating exorbitant interest, a final letter from a wronged and jilted lover never mentioned, or an incriminating photograph, whose possible existence was being denied and hidden under the basement stairs among wads of old insulation and dried mouse droppings.

As Ellie passes the bathroom door, Bo is reciting in his deep precise Bud Abbott voice, “I am telling you,” he is saying, “Who’s on first. What’s on second, and I Don’t Know is on third.”

Moving bowls and pans from one place to another in the kitchen she, in her best, searching, Lou Costello voice, “That’s what I said, ‘who’s on first?’”

When she hears him coming up behind her, she turns. He looks at her.

“What?” she says to him, reflexively touching her cheek with her fingers.

“Nothing,” he tells her.

“No, don’t say that. I know it’s something. The way you’re looking at me. Is there schmutz on my face?”

“No.”

“Then what?”

“It’s just that you look different.”

“Good different or bad different? Tell me.”

“Just different. You look older.”

“What?”

“There are like new lines on your face, around your nose, that I don’t remember seeing before.”

“Like when I was twenty-three or yesterday?”

“I didn’t see you yesterday. I had my surgery yesterday and came home and slept all day.”

“Then the day before that? Tell me.”

“Yes. The day before that.”

“Bo, Honey. Nothing has changed. I am the same as I was two days ago.”

“You just look different.”

She sees his concern. “Come with me,” she says. Taking his arm, she leads him back toward the bathroom. “Close your eyes,” she tells him and she reaches into the room and turns on all of the lights. “Don’t open them until I tell you when and do only do what I tell you to do.”

“Ellie.”

“Trust me,” she says, and she turns him around, so his back is to the mirror. “Don’t open them, she tells him and, steadying him gently on his shoulder, she moves around him and stands so that they are now face-to-face.

“It is very bright in here,” she tells him. “So, slowly, I want you to open one eye at a time and look at me.”

He does as she tells him. Left eye then right eye. Left eye then right eye.

“What do you see?”

“Oh, my God.”

“Tell me.”

“With my right eye you look normal. Like my Ellie Mae.”

“And?”

“And with my left you look like you did in the kitchen. Older, sort of.”

Bo, they are both the same me. You are different. The lines have been there. They are part of me. You are only seeing me clearly now with the eye you had the cataract surgery in. You have a new clear lens in that eye. Look at the wall. What color do you see?”

“White.”

“What  was it two days ago?”

“Gray.”

“Same wall. Not old or young. Different. Now, look in the mirror. Look at yourself.”

“My God, Ell, I look so much older. There are lines and creases I had not seen before. And I’ve lost so much hair. It scares me. I don’t want to look  so old.”

“Boey, trust me, you’ll get used to it,” she says and leads him back toward the kitchen. In the morning light through the kitchen window, she turns to him and says, “It will all be okay.”

Then slowly jiggling a thick, imaginary, George Burns’ cigar to one side of her mouth, she says, “Say ‘Goodnight, Gracie,’”

“Goodnight, Gracie.”

Afterthought

Autumn. Leaves just beginning to fall. The seminar room is filled with counselors, faculty, and caregivers. Marcus stood, along with a few others, mostly men, who, like him, had been among the last to arrive. They leaned with their shoulders against the reluctant gray concrete wall opposite the high windows on the other side of the room.

There were slide presentations, personal stories, some gruesome and some not, role play, Q&A, prompts from the leader (“Perhaps it was someone close to you or even yourself,” was the way she put it) to which many raised their hands (some slowly and some quickly) or nodded, or touched their hand to the shoulder of a person next to them. He had not responded in that fashion, nor was he moved to.

As an afterthought, though, later, during the lunch break, he recalled there had been a student of his, Rodrigo, who’d hanged himself over the door closer arm of his dorm  room and was found the next day. And, of course, there was Ralph who’d refused food and water and died a week later in his bed in St Vincents, and then, too, his own lawyer, Friedman, who’d driven his car into a bridge abutment on the Bronx River Parkway and survived but remembered nothing about it. Yes, there were those.

“Shit!” he said, shaking his head. Where had his mind been?

After the evaluation forms and the chit-chat with other faculty in the hallway and in the parking lot, he got into his car,  put down the pamphlets and notes he had taken and, only then, when he retrieved the key from under the seat, holding it cold and firm in his hand, about to insert it into the ignition, he shuddered… and it came so very clearly to him as if it were, in fact, the present …

He is thirteen

… kicking his shoes through dry brown leaves along the curb, walking home from the school bus. The late bus. Mrs. Gormley, his homeroom teacher, made him stay after to clean the chalkboard erasers.

Walking behind Francis Romeo. Francis always has to take the late bus home, and he always sits in the back, smoking.

The front door had been left unlocked and wide open.

The house quiet. Dim, behind pulled-down shades. He puts his books on the stairs. No TV on. The door to the baby’s room is closed.

“I’m home. Sorry I’m late. Mrs. Grumbly made me stay after. Don’t tell Dad, and don’t tell Angie, but did you know that Francis smokes?”

No answer.

The hall bathroom door is closed.

“Mom?”

She says something.

“What did you say?”

“Nothing.”

In the kitchen, he pours a glass of milk.

“Mom? I got myself some milk. Ok?”

He knocks once on the bathroom door. “Mom?”

“Leave me alone. I’ll be done in a minute.”

“Is there anything wrong?”

“No. Go away.”

He knocks again. “Do you need anything?”

“Noo-oo-oo,” in a whimpering wavering tone.

He jiggles the doorknob. It is locked.

“Get away from the door.”

“Mom, please, can you open the door?”

“I can’t. Just go away.” Her angry voice.

“Mommy, I can’t go away. I live here. Are you sick? Can I help?

No answer.

He waits… and waits… and then…

“Mommy, if you don’t open the door I’m going to get Angie.”

“Don’t you dare do that!” she screams.  

At that, doorknob turns, the door clicks open.

With his hand pressing against it, he looks in.

His mother is standing at the sink, facing the mirror, dressed in the yellow housedress she was wearing this morning as he left for the bus. Barefoot. Her hair hanging down on either side of her face.

Her glasses folded at the back of the sink, her eyes red-rimmed and wet. Her nose is dripping onto her upper lip.

She is rocking, slowly, side to side.

“Mom, what are you doing? What is wrong?”

“Nothing is wrong,” folding her arms across her chest. “What are you talking about?”

“Mommy, I can see that something is wrong. Why don’t you tell me?”

“Please, Marcus, just go out and leave me alone.” She smoothes her hair back.

Her left hand, the one closest to him, is balled into a fist.

“What’s in your hand?”

“Nothing.”

A bottle of Bayer aspirin lays in the sink. The cap off. The bottle empty.

His knees shake. Heat rises into his head. Tears fill his eyes. He is frightened. So alone.

He reaches forward to take hold of her arms, to turn her toward him. She moves responsively at first and then pulls sharply away.

“Don’t touch me!” she screams. “You can’t stop me. No one can.”

White streaks run from the corners of her mouth.

“Mom, please. ”

He sees how miserable and sad she is. He has never ever seen her like this before.

She swallows hard. Gags.

He backs away.

“Mom,” he pauses, then says no more.

She looks at him.

Then slowly, assuredly, his voice calmer and softer now…

“Ok,” he tells her. “I don’t want to stop you.”

Silence.

“I know I can’t. Believe me. Just let me see how many pills are in your hand.”  

She looks into his eyes.

“Open your hand and let me see how many are there. That way I can tell the police when they get here how many you took.”

She keeps her gaze on him. He takes her closed fist in his hand.

“Please, just open your hand a little to let me see them.”

They watch her fingers uncurl. A cluster of tablets, some moist with her sweat, rests in her palm.

They both look down at them. Counting.

And, holding her hand firmly in his, he suddenly, with his free hand, strikes the bottom of hers with a violent, concussive blow. The pills scatter, hit the mirror, bounce into the sink and into the tub.

She gags and retches, lurching forward grasping for the edge of the sink, losing her grip, she slips back.

Her full weight falls against him, forcing him hard against the wall and the towel bar. He grabs hold her from behind. Together, they slip, drop, and fall as one, hitting the edge of the sink and curling tightly beneath it onto the cold, checkered, green-and-black tile floor.

The Song We Would Sing

Our children were quite young. We were living in the walk-up in Brooklyn, near the park, when, Sonja, my older sister who I spoke with sporadically over the past few years, called. We were in the bustle of dressing and feeding them, cleaning the kitchen, and dressing ourselves.

“Your father,” she said, “died this morning.” She may have said, ‘Daddy died,’ but I don’t recall that clearly.

“I’m sorry,” I am sure I said.

A graveside service was planned for the next afternoon. We arranged for a hotel room and a rental car.

Driving across the Brooklyn Bridge that evening. The lights of lower Manhattan. Chinatown, the East River bridges, the medical centers. All of it both so spectacular and so routine. I was sad to leave, if only for a day or two.

At the grave side, beside my mother’s, Sonja brought us around to say hello to family. The resemblance among my relatives was unmistakable. People I had not seen in ten years and more. Some not since I was young. Familiar faces. Names. Familiar smiles. Some, too, I had never seen nor heard of before.

How had so many years had passed. Why?

I know the how of what happened. The why was the real issue. I’d moved away after college. Long before cell phones and email. We’d never shared numbers or addresses. I lost track of family.

All those years, benignly estranged. No arguments. Disputes. Nasty words. Just nothing.

“You remember Aunt Minnie and Uncle Fred?”

“Yes,” I said. “The dentist?”

“Well, this is Janice, their great granddaughter.”

“And you remember Ruthie? Ethel’s, granddaughter?

“Yes.”

“This is Rebecca, her daughter’s youngest child.”

“Hello,” I said. “This is Bess and these are our children.” It was so good to feel a connection there with them.

On it went. New people, children of children of aunts and uncles I knew. Cousins of cousins. Generations of births and birthdays and illnesses and new jobs. Lost. Lost to me. An old novel with chapters that kept being written after I had put it down. I wanted now to read those unread pages, though I knew it was not possible. The gaps were inaccessible to me.

We drove back home the next day. Listening to Waze. The radio. My mind present, and also wandering in the distant past.

I had moved away. Never once thinking of the consequences. Caring for only my need to be away.

The kids were asleep in the back.

“What happened?” Bess asked.

“What?” I said.

“How did you lose track of all those people?”

“I don’t know.”

“Didn’t you ever think about them? Ask about them?”

“Sonja would tell me things once in a while, but I never thought more about it. For a while all the names had faces but then they became only names.”

“Doesn’t it make you sad?”

“It does. I feel terrible. I let it happen. Not once thinking about them. As if I left and they disappeared.”

“But, it was you who disappeared. Not them.”

“But my parents never…”

“Never what?”

“Never let me know what was happening.”

“And you never asked them?”

“No.”

“My parents and I didn’t talk much and then they were in nursing homes. And with their dementia it became impossible.”

“That’s not really an excuse, and you know it. There clearly were others.”

“No. Not an excuse really. An explanation. Maybe.”

“Maybe, but let’s never do that to our children, please,” Bess said. “Let’s keep them connected. Show them how important family is. What it is to be part of a family. Making family the most important thing.”

“I didn’t grow up with that.”

“But you did. You remembered your Aunt Minnie, Aunt Ethel. Harold. But then you let them all drop away.”

“I did,” I said. “I only see that now.”

Back home, we returned the car and stopped at the market on Eighth Avenue and 12th Street to pick up milk and bread. Bess put the kids to bed.

I stood by the stove heating water for tea. Mesmerized by the bubbles twisting upward. The larger ones roiling the surface. The warmth on my face. Drifting into another space.

Seeing all those others, how they were with each other. Embracing one another. How easily they embraced me as they did when I was so young.

But feeling, in that mindless space, what I had never said to myself before. I don’t think that my parents loved me. Feeling that so clearly should have wrenched at my heart, but it didn’t. It was, instead, a relief, a validation of, growing up, how lonely I was. Lost. Alone. An observer at some close remove. Awkward. Feeling as though I never had the right or reliable answer to any question. In school. At home. Anywhere. Nothing felt unjudged. Nothing felt safe. Though I can’t ever remember being aware then in those terms. As if the wrong response would be punished by further isolation.

The kettle must have been boiling for a while. Bess came up behind me. She lay her hand on my shoulder, and turned off the burner.

“How are you doing?” She said.

“I’m okay,”

“You sure? Will you tell me what you’re thinking?”

“I was watching the water boiling” I told her. “My mind drifting to yesterday. The past. Not happy thoughts though. Thinking about what it was like for me growing up. But then a song came to me, as if from the rhythm of the bubbles. One we used to sing in the car when we drove from our apartment in the Bronx to my father’s relatives in Brooklyn. The windows down, my father smoking a pipe, my mother on the front passenger side. And, she would begin to sing ‘Merrily we roll along’ and I would join in, and we would sing it a few times until we tired of it, and she would start our favorite one. The one I loved. ‘You are my… sunshine’ she would sing, and I would join in, ‘… my only sunshine…,’ and we would sing the whole song, over, and over again, ‘You make me happy when skies are gray,’ until our cheeks hurt from smiling. And then she would nod to me and slow the tempo down and we’d both deepen our voices, for this last time, the last line, ‘Please… don’t… take… my… sunshine… away.’”

Bess listened to me while she made the tea and set the cups down on the kitchen table.

“I love you,” she said.