The Game

Enrique Quinones started playing tennis at the age of four. He was good. Everyone in his town said he was good. His parents gave him lessons. His mother told everyone she knew that it was Enrique’s dream that he would one day be a great player like Alex Olmedo or Pancho Segura, or Gonzales. He, of course, wanted to be good like them but he said to his mother, “Mama, it is your dream for me to be a great champion, but it is not my dream.”

And so, when he was ten and old enough to travel on an airplane by himself his mother sent him to stay with her sister in America so that he could have a great teacher and become famous.

When his aunt Bellissima brought him to the tennis schools in San Diego, they looked at him and told her to take him home because he was too old to learn to be a really great player. And so she took him to the biggest and best and most expensive schools in California and soon found the one she liked the best: the SHOQ Academy.

“What does SHOQ stand for?” she asked the director. “Swing. Hard. Or. Quit,” he told her. She thought that sounded just right, this was America after all, and she signed him up. She told Enrique good-bye, that she loved him very dearly, that she would come visit him every two weeks, and that one day he would reach his dream of being a great tennis player. “Good-bye, Tia Bellissima,” he said.

When Enrique graduated from college and turned pro, Edberg, Sampras, Chang, and Agassi were the top pros and Djokovic, and Federer, and Nadal were about his age, and he knew that he would never win a tournament they were in. But his aunt told him not to be discouraged. She sent him money and care packages and told him to remember to swing hard and not to quit. And so, he did.

He played on the pro circuit, in feeder tournaments, traveling from one city to another, staying in cheap hotels and, reading Kant and Nietzsche and Arendt, and eating takeout and Clif bars with the other players.

He kept hitting hard and not quitting and he became better and better, earning more and more ATP points, which put him higher and higher in the draws, letting him play lower ranked players in the early rounds with a better chance to make it into the quarters, semis, and possibly the finals. The promoters were making money. The sponsors were making money. The coaches and managers were making money, and he was making money. But not anything like one might dream of.

For a couple of years, during which he was playing both singles, doubles, and mixed doubles on the tour, he made enough to cover the airline and hotel costs with a little left over.

In his tenth year on the circuit, at a tournament in Palm Springs, Fiona Adler, a woman he knew at SHOQ and who had become a sports journalist when she realized her tennis career wasn’t going to happen, approached him and they started seeing one another when they were both in the same city for a tournament. They ended up spending more and more time together, nothing serious, and eventually she told him her sister had seen him play and she had a young son for whom she and her husband wanted to find a teaching pro.

“Enrique, face it,” said Fiona, “you’re good but not that good, you’ve been in this game ten years and you’re never going to make it big. Quit while you’re a name people know and have some money saved. You’re good looking. You start teaching and women from all over will want to bring their kids to you.”

“I doubt it, but okay,” he said. And so, Fiona introduced him to her sister, Ariana, and her son.

The boy was quick and confident, with near-perfect, sweet, natural strokes. He could feel the game. You could see it in the way he met the ball, not overswinging like most kids. He was loose. He hit like he was having a conversation with the ball. A natural talent. Enrique moved to Long Island took a job at a upscale tennis club and took the boy on.

Ariana brought the boy for lessons every day after school and all day on weekends, though Cal, her husband told her it was a waste. He said, “Let’s take him down to Bollettieri’s school in Florida. The hell with this loser teaching pro. What can you possibly see in that guy?

Ariana saw a lot. “He’s a good teacher and he knows what tennis academies do to a young kid. He knows that Conor is good, not enough to beat a Djokovic. But he sees him playing in college and maybe pros and loving it. Let him do that. Don’t turn Conor into a commodity you can market for your own sake. Give Enrique a year to get him into the juniors and see how he does.”

“You’re being small minded,” he told her. “Conor needs a chance to be great. He can have six months. That’s all.”

Ariana said, “Thanks. You won’t regret it.”

Enrique took Conor to the boys’ twelves and in three months he got a national ranking in the juniors. Ariana went along to all his matches. The three of them got along well. Conor liked Enrique and Enrique liked Conor. The problem was that Ariana liked Enrique a lot and Enrique liked her too. A lot. And one night after they had all said good night at a cheap hotel in Cincinnati … well, you know what happened.

So Cal, hurt beyond belief, said, “Ariana, what did you think would happen?” He sued for divorce and he took Conor, who was hurt well within belief and would not say a word to his mother, and their other son, Chris, who was too young to believe or understand anything or even to know what was going on, down to Bollettieri’s, leaving Ariana the house and all of his winter clothing.

She was heartbroken. All she had left was a home with an island in the kitchen and a gazebo in the backyard, friends who didn’t call, and the hope that Enrique would not leave her too.

He did not. He told her he loved her, and they sold the house with the island in the kitchen and the gazebo in the backyard and moved to Ecuador, where he taught tennis at a club outside of Guayaquil, not far from where he’d grown up.

Ariana cried a lot, missing her boys, sending them cards on birthdays and holidays and in three years they went to see Conor play doubles at the US Open where he lost in the third round, and they all went out together to an Asian fusion restaurant on Queens Boulevard in Flushing.

Their waiter asked everyone to smile and to lean in together. “More close, please” he said, and he took their picture with two separate iPhones and brought them two separate checks.

When We Were Mallards

When we first met, my husband, Mycola, told me that he thought we were like two ducks. Two mallards in a vast lake in a country far away. Like mallards, he said we were.

We were walking then, in our long overcoats, on a busy street in the city where we both lived. There were people and families all around us going into and out of shops and restaurants and sitting in the sun on benches in the park. Children running underfoot. Cars. Buses.

“Petra,” he said, as that was the name my mother called me by, “like we live in a mile-wide and ten-mile long lake with tall firs growing close to the very edge of the rocky shore, and plenty of places for us to build a nest and hide our ducklings in the reeds, whenever we would be fortunate enough to have them. And when the last of them grows up and flies away, we will swim side-by-side and stick our heads down deep below the surface and pull up bits of grass and noodle around for tiny crustaceans in the muck. And, we always be together and always be beautiful.

Sounds good, I told him.

And he said, “qwakk, qwakk.” And I loved him. You silly goose, I thought.

He is gone now and I live each day in great and constant misery. I live in a place of icy dark and metallic fear.

This is my life now, and for how much longer it will be I don’t know. This is not how it had been. When we were mallards. But that matters little now. Now, I cry and my body shakes so hard it is hard to take a breath. I wish for death but I only vomit.

I have no place to go. I have no home. No clothes apart from those I have on.

Two weeks ago, while we were sleeping, the door to our house was being battered and we could hear it beginning to buckle and break. Mycola and I woke my mother and our little girl and we ran out through the side door. We knew they were coming but none of us knew when that would be. We had heard the trucks but we thought they had passed through on their way to someplace else.

We ran in the rubble of the streets. My mother stumbled. She could no longer run. She fell and we tried to pick her up. She screamed in pain. She could not stand. Or she refused to get up. I don’t know.

Our entire world has been changed. We mean no harm to anyone. We hurt no one. Not once in my life have I hurt anyone.

I should say we meant no harm to anyone. Now, I have lost all my balance. My forgiveness.

When your mother has fallen and you cannot pick her up. When your child is running and trips on bricks and glass from the walls of the apartments your friends lived in on the fourth floor of the building you pass, and you can see their now-empty rooms and their broken, blackened, walls, and you see the face your daughter as she sees them too.

When you hear the crack and see the flashes and feel the air itself beat like a bully against your chest so hard it crushes you and a moment later it sucks the breath from your lungs, and you lose your grip on your bag and you cry out in the pain you have not yet felt.

And you cry out in a voice so loud it it hurts your throat, to a god you have believed in all your life, in a voice you never used before and to a god you do not know and who no longer can hear you.

And you think of Isaiah 2:4, “And he shall judge between the nations and shall decide for many peoples and they shall beat their swords into ploughshares, and their spears into pruninghooks and nation shall not lift up sword against nation, neither shall they learn war any more.” You had read those words and you had once believed them.

And now you know that the world itself is a sword lifted up and thrust toward your throat. And your hands are tied behind your back like your husband’s were when he was beaten and dragged away and another man who lies dead on the ground beside you.

When nothing else has any meaning. This god or that god, or the rules of war.

What kind of people make rules of war like rules of grammar or poker? How do we need rules about who to kill, and when it is permissible and when it is not? Words without meaning which are ignored. Humanitarian is another of those words.

And then you see the last bus pull away without you. And there is no water and no food and no toilets.

When there is no hope, and the days of the hopeless hope you once had have passed, when you are crowded in amongst the dead and the starving and the dying, in the cold and dark, you will see, only then, what you could not ever have imagined when the world was big and the sun was bright and the air was clear, and war was only a word for a place where others lived and died, and conflicts which were given names and had dates of when they began and when they ended, and numbers of dead and wounded were counted, and crosses were hammered into the thawing ground with the rounded iron backs of shovels that had dug the shallow graves by men too old to fight.

And you will know how it was that men had done this because you saw the grim and vacant disregard in their faces, inches from your own. And know that they they had planned and considered this one option and that other option, and each one had only one intent and that was to kill this many nobodies here and that many nobodies over there as they could. And the greatest sinfulness that we have known and written down in all the holy history books and agreed to since the beginning of time, held no sway with them. That men with no souls had done this. And they did it with hot white hatred.

I know that now, and I know that this war, this new war without an historical name yet, and with no end date to write in books, will have no end for me. I will die in the midst of it.

And I hope for death to come. I need to live and I want to die.

The Hungarian Deception

Erik slept in fitful bouts of disturbed sleep all night. Words, phrases, faces, as if pasted on to the rims of a perpetual motion machine, or better yet, a snake devouring its own tail, woke him, or at least, brought him to the thin subliminal edge of nearly-waking. In those moments in which he did awake, he looked over at the clock and out through the parted window blinds behind him.

His wife slept quietly in their bed. Bliss, their three-year old, lay in the space between her parents, curled against her mother’s back.

Snow began falling shortly before he woke. He knew it was coming. Expected it. Moving in from the northwest, off the lake, tracing the path of the highway south and eastward toward the city. By six o’clock there were already four inches of fat, wet flakes blowing in swirls around the streetlights, sticking to the road in front of his house and to the west-facing sides of the other homes in the neighborhood.

Feeling ragged when he got out of bed, he shaved and dressed silently in the bathroom. He’d set out his clothes for work the night before. His brown wool knit tie, grey flannel shirt, jeans.

He hurried.

“Hová mész?” his wife whispered, (Where are you going?) in Hungarian to him in the near-dark room.

“To work,” he said.

Verk? Te örült vagy? Egy tonnaszar hó esik teher!” (Are you crazy? It is snowing a shitload out there!”)

“If I leave early, I can come back early.”

“Coffee?” She pronounces it, kahvee.

“Nope. I’ll get it on the road.”

Dehogy?” (Nope?)

He told her to go back to sleep, he’d be fine, not to wake the baby and he went into the kitchen and sat down at the table, keys in his hand. He did feel crazy.Crazy and irresolute. Irresolutely trapped knee-deep in a mess of his own doing. He needed to leave. Right away. To not leave, to even think of not going, of letting Liesel go by herself, was more than crazy. Unforgiveable. He wanted to be with her. It was the right thing to do. He said he would. Given his word. That was a laugh, was it not. His word. He wanted, too, so very desperately to put an end to all the deceit. He would tell her that.

The snow was steadily deepening.

The few people left in the waiting room looked down at their cellphones or at the folded magazines in their laps. No one spoke. They shifted in their seats, making as little a disturbance as they possibly could. Crossing and uncrossing their legs at the ankles. Jittering bended knees. Wet footprints marked smudged lines across the carpet. A table lamp lit in the corner of the room.

Each of the women there shifted their eyes to the inner door when they sensed it opening, anticipating when the nurse would appear and read their name from a clipboard. The few men among them only looked up when the woman they’d come in with heard her name being called and then she’d get up quickly. And then the men would leave.

They had planned to meet at six-thirty in the parking lot at the commuter rail station. He’d often met Liesel there, leaving one of their cars at the uncrowded south end of the lot and then driving to some other place, in some other part of the city, to a park or to the back of a library, or to a café where they might not be seen by anyone who might know them. This had been going on for almost a year. They’d once met for an afternoon at the empty apartment of a friend of hers. Muzzy, a high school friend, he thought. He had never met her.

He stood to get up and leave the house and then he stopped and sat back down.

Leaving home in weather not fit for driving would only mean another lie he’d have to concoct. He could call Liesel’s house and pretend to be from the clinic saying they were not taking patients for the day, and she could call later to reschedule. But then what would rescheduling do? It would only put this off for another day. That would have solved nothing and how would she explain to her husband a call from anyone that early in the morning. But then, perhaps Muzzy would take her to the new appointment.

Liesel was punctual (always), obsessively well-organized, more of a person in control of things than he. She demanded punctuality. Of course she would certainly have called the clinic, checking to see that they were open and expecting her. She should have canceled when they knew about the storm. Maybe she had. But more likely, she’d already be waiting for him, parking lights on, engine running evenly, her hair still damp from the shower, and the lizard like tracks of her near-slick tires being eradicated by the freshly falling snow.

The procedure Liesel was having this morning was scheduled for eight o’clock, twenty miles in toward the city. A grey one-story clinic building by the highway, behind a tight hedgerow of cypress trees.

At six forty-five, Liesel turned off the engine, pounded her open palms against the steering wheel until they hurt. “Fuck,” she said. “Fuck him.” She got out of the car, her head and face wrapped in a thick woolen scarf against the wind. She scraped clear the windshield of encrusted snow and got back in and started it up the again. Turned the wipers on. And then saw, through the gauze of snowflakes, the lights of his car. You bastard!

When they called Liesel’s name, she rose, bent over, and whispered closely, and sharply, into his ear, Erik, lisen to me, menj el most, és gyere vissza értem két óra múlva.” (Leave now and come back for me in two hours.)

He turned his head to look at her, but she stopped him and grabbed his chin in her stiff, long fingers.

He nodded.

“End von more tink,” she said, in a voice just loud enough for the others to hear, “yu dirty peeze of cow sheet, tek of det Filadelfia Freedum beisbol het frum yur beeg bawld hed, end tek doze googly eye glesses frum of yur fayz, vitch yu tink meks yu look jus lik Elton John, becose you only lokk like a ful, end yu r embearazink me. End ven yu cum bek fur me, brink me a plen begel vit crem chees end a blek coffee. Du yu here me?”

He nodded.

Pliz belif me, Erik. ven I tel dis tu yu, És ha valaha is mesélsz errõl a húgomnak, meg fogsz halni!” (And, if you ever tell my sister about this, you will die!”), she said.

She then stood up, straightened her bek and left the room without looking bek at him.

He shrugged on his overcoat, left by the front door, and got into his car.