Schneiderman’s Thoughts on Leaving the Hôtel de la Mer et du Ciel

How long could I continue to endure the trapped isolation and constant disorienting uncertainty at the Hôtel? Or the apprehension that my perception of what was real and what was not was distorted. That what I took for my own identity was fragile and figmentary? That my thoughts, my very substance and existence was a nightmarish fiction. Worse still, that the Hôtel itself was insubstantial, discarnate, incorporeal. That the space it occupied, and myself within it, did not exist beyond the workings of my own mind.

And so, at some point, while immersed in this all-encompassing interiority, I began to question my sanity. I could not, though, determine when or how long it may have taken me to arrive at this point. For, at the Hôtel, time, like space, had no value, it had no presence in my life, no meaning. Time did not exist for me. There was no chronology to events. There was no before or after. There was, therefore, no sense of cause and effect. No such thing as, if A, then B.

Whatever sense of personal agency I felt I had, it was both false and limited solely to my intention to put one foot in front of the other, so to speak, and even that could be negated, obliterated, in an instant. I might imagine taking a step in one direction, say to locate the room in which I was staying, and immediately find myself in another, an entirely different space, a different realm, one totally untethered to that in which I had sought to extend my foot in that very same heartbeat. And, at that, I had no awareness that anything had been altered. I was simply in a new moment, a frame-shift, and for that moment it was all that existed.

I sensed, in some moments, a deep despair which I attributed to a lack of anything resembling intimacy with any others. While I might have imagined that others may have been present, I had no sense of human contact. I heard not a word, saw neither a glance nor a gesture. I felt that this privation was, like a vacuum: an absolute absence of materiality.

Without human contact, I felt unable to do anything either self-affirming or of any value in the world, as limited and ephemeral as it was. My world was seemingly without end and removed from the very substance of humanity.  

At the point to which I am referring, I began to experience a nascent level of introspection. I came to fear that a certain degree of psychopathology becomes not only possible but predominant when one sees oneself as separate from both meaningful experience and social interaction. Thievery, duplicity, misanthropy, delusion, and worse, seemed possible. I had enough cognition to know that that possibility was inherently immoral. I needed to find my way out. Without the restraint of the social contract, when we are deprived, for one reason or another, through some willful act of oppression or through happenstance, we are left without the righting forces of compassion and punishment. We become untethered, unmoored, and a danger.

Perhaps only through the force of will or a weakening of the forces that bound me, one evening I found myself, inexplicably, outside of the Hôtel. I was walking through one of a number of revolving doors at the exit and found myself outside of a modern office building in midtown New York, somewhere in the 50s, perhaps around Madison Avenue. It was a building I had once worked in, though I cannot recall either the organization or what exactly I had done there. It was in the fall and I was not dressed for the coolness of the evening. I had neither coat nor a briefcase nor any personal items. In that moment, I found myself thrust back into that situation. And in so doing I returned into the building and told the security guard that I worked upstairs and had left my ID card and my coat in my office and of course he recognized me and showed me up to the floor and a cubicle which I easily recognized by the state-issued utilitarian furniture, the rather non-descript appointments such as the fluorescent lighting and grayness of the walls and the disarray of papers I had left on my desk.

Standing beside it I was awash in a feeling of dread. Everyone had apparently left. Perhaps it was the weekend. I looked through my desk drawers to see if my belongings were there and they were. And under the file boxes I had kept under the desk, I found several thick business envelopes of cash that I had hidden there and, in that moment, I felt how distanced I was from the staff I worked with. Perhaps as the result of some slight or perceived injustice and, how, after they all had left at the end of the workday, which for some of them was quite late into the night, I would riffle through their drawers and personal belongs and take whatever cash I could find, amassing quite a sum, hundreds of dollars sometimes in one evening. I was convinced, simultaneously, that it had come to me by chance as if I had found it on an empty sidewalk and that I had committed a reprehensible act and that I would be severely punished if I were to be caught. Looking clearly, for the first time, since leaving the Hôtel, I had an awareness of the consequences of my own actions. This was, as one can imagine, both a blessing and a curse, an inkling of agency and culpability.

I stuffed my pockets with the cash. I was flushed with fear and ambiguous good fortune. My heart beat heavily.

In the lobby, the guard who had shown me up no longer recognized me and asked for the ID which I did not have. I broke toward the door making it through into the cold night at which point I stood looking up and down the cavernous avenue, a dark street in Brooklyn I was not familiar with, with no idea how I was to find my way home. To safety. And with no tangible knowledge, in fact, of what or where home might be. I was lost. My pockets were empty. My fingers could not dial the cell phone that appeared in my hand. I could not recall what number I might call for help. I was beset with a frantic sense of desolation. I felt myself being reclaimed by the dark pull of unbounded lunacy.

And there, standing in the darkening cold, the Hôtel was revealed to me to be a haven of sorts. I had no control there. No responsibility for my actions. There, I did not have to parse what was real from what was false. And in that, with no distinction between the two, an enticing degree of comfort could be found. 

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