Malachi and His Mother at the Altshul on Garfield Place

Malachi helps his mother step into the side entrance of the shul. The tall mahogany front doors on 8th Avenue were closed. Locked tight. And so, the two of them walked around the corner and up Garfield and then up the stairs through the side entrance, down the hallway to the sanctuary.

They took seats in one of the rear pews, passing the Rothsteins, the Arbeiters, and the Edelmans seated in the front pews. The ones they paid good money for.

The room was near full. A mixed, arrhythmic, hum of voices. Air conditioners whirring. The smell of aftershave and leather shoes.

“Why didn’t dad come with you?”

“Your father? He says he doesn’t do gatherings anymore.”

“COVID?”

“No. C-R-A-B-B-Y. He says he likes people well enough but he likes them much better when he doesn’t have to be around them.”

“That’s Bukowski.”

“What?”

“Charles Bukowski, the poet, said that.”

“Don’t tell your father. He thinks he made it up.”

“It looks like the rabbi wants to start.”

“Welcome all, I am Rabbi Plosker. Let us begin. We are all aware of the alarming increase in hate crimes and mass shootings. The Tree of Life Synagogue in Pittsburgh, the First Baptist in Sutherland Springs, the Chabad of Poway, the AME in Charleston. And while we work against violence of all kinds, visited upon people of all faiths, we must also protect ourselves with guards, and vigilance, and yes, with preparedness.”

“I have to get up.”

“Ma, wait. It’s starting.”

“I have to leave.”

“I’ll go with you.”

“No, you stay. I thought I could do this but I can’t. I have to go. I cannot be here for this.

She gets up and, clutching her purse, walks toward the side door. The way they’d come in. A police officer is now there. She turns and walks back up the center aisle toward the main entrance.

“Ma’am,” the officer there tells her, “I’m sorry, but you can’t leave.”

“I have to. You can’t stop me.”

“Ma’am,” the officer extends his arm, takes a step to obstruct her way. “Please, ma’am. We have a protocol we need to follow and I ask you to cooperate, for the benefit of all.” 

“Malachi!”

“I’m sorry ma’am you have to go back to your seat.” He touches her elbow and points her back down the aisle.

She sits down. She’s shaking. “Malachi, please say something. Look what is happening here.”

“Ma, it will be okay. Nothing’s happening. Trust me. Look, the rabbi wants to begin.”

“The rabbi? She wants to begin? She wants to begin with the Gestapo barring the doors?”

“What are you saying? The police do these trainings all over the city. In mosques, churches, synagogues. It’s for our own safety. We need to know what to do if, God forbid, something happens, and a someone with a gun comes in.”

“Let me tell you, Malachi, open your eyes. The someone’s are already here. There are two someone’s with guns here, and one is at the front door and the other is at the side door, and the Plosker herself, invited them in. She invited them in, yet. With guns, yet. Tell me, who comes into synagogue with a gun? I’ll tell you who. My dead grandmother knows the answer in her grave. The SS, that’s who.”

“Everyone is watching us, Ma.”

“Yes, they’re watching. With their goddamn eyes closed. They’re watching but not seeing. This is the most farshtunkene idea I have ever heard in my life and, you, my own son, brings me here.”

“Shhh!”

The officer at the back of the sanctuary is holding an air horn, a large orange klaxon. He’s wearing sunglasses, dark uniform, a peaked cap, epaulets, and a COVID mask. He nods. Touches his visor with two easy fingers.

“Sergeant Petersen here,” the rabbi says, “will lead us through a training in an active shooter drill. He will show us what to do, if it should ever happen, God forbid, in the very, very remote possibility of an active shooter coming into the sanctuary. If we are prepared, and we act quickly and with intention and preparation, we can save our lives and the lives of all of us.”

“That’s right,” says Petersen. “We are here to help keep you as safe as possible. I promise you, no one will be hurt. We ask you first to turn your phones off.” He waits. Everyone fumbles with their phones. “In a few moments, when you hear the sound of the horn…”

“Malachi, take me out of here. I can’t do this. I will have a heart attack. I can’t. I can’t… I will die in this room.”

“…and as soon as you hear it, I want you to immediately do whatever you would do if an active shooter came into the room.”

Sgt. Petersen steps back out of the sanctuary and closes the doors behind him. The officer at the side entrance does the same.

A long moment of silence passes.

The doors open. Both police officers, wearing COVID masks, both with the Klaxon horns pointed at the pews, step in.

Blam! Blam! Blam! The horns crack open the air. Again, and again and again. Like a pair of monstrous screaming jackhammers. 

A woman in the rear screams. Three men in the front row stand up and look to the back, then the front. Toward the blaring sounds. The rest stand, look around, and then duck under the pews, covering their heads and pulling the others down with them. Some grab for their phones. Malachi pulls at his mother’s skirt. “Mama, get down here.”

The cracking, blasting, sounds stop. There are cries from all sides.

Petersen, holding the Klaxon in his hand like a hand gun, walks down the aisle, pointing with it from one side to the other, pointing at each one of the half-hidden, half-crouching, cowering, people.

“You’re dead! You’re dead, you’re dead,” he says to each of them.

The one at the side door explains, “The worst thing you can do is to stand up and look at the shooter, giving him a target. The next worst thing is to crouch under the pews. You make yourself a stationary target. A dead one.”

“You’re all dead. Every one of you. Figuratively,” says Petersen. Now let’s try it one more time.”

The two officers step behind the doors again.

“See, Ma?”

“See what, they told us nothing about how we should react.” she says. She stands up. “This is their new trick,” she yells to everyone.

“Please sit down,”

“Yes, please sit down,” the rabbi calls out.

“That was a sham! One crazy kid bursting through the door like Dylan Roof or Gregory Bowers doesn’t kill enough of us. That was just old-school anger. This is the new and improved U.S. version of mass killing.”

“Someone, take her out of here,” says Rothstein.

“They’re not going to let me out of here. Not you either, Rothstein. Not peacefully. They have us where they want us. They have us all trapped, totally lulled into fearful, willing, trusting fools, placated, convinced they mean no harm. Like how they convinced my grandparents to wait in line for the boxcars, carrying their suitcases and children, and then in line at the showers, for godsakes. I know what’s coming. Everyone get out. Now. All of us all at once. Make run for it. Rush them. I swear, our only hope, is to take them by surprise. Because the next time those two doors two open they’ll have AR-15s and…”

And for the Clothes We’d Worn Then

If there’d been a sit-down funeral for her or if they’d scattered her ashes at sunset on the beach at the Jupiter inlet, I don’t know.

If they’d done that, scattered her ashes at the beach, it was without me. The ‘they’ here being her children. My children. Our children. I hope they did that.

I’d heard that she would swim there, at the inlet, in the mornings and then dive there in the afternoons, riding the current out by herself to the reef beyond where the waves break and the water is clear and the parrotfish and grunts are plenty.

I had been there, though, with all of them, on the afternoon she died.  

She lay on a hospital bed in her guest bedroom. We took turns at the chair by the bed, leaning close and touching the back of her hand. Saying last words. Whatever words would come.

The IV drip had been unplugged, though the line with the morphine was still clicking on and off.

We were married in ‘66. August. Hot. I wore a suit I’d never worn before and never wore again. That’s a good thing about rented tuxes. You never have to look at them again, hanging in the closet with patches of memory stains stuck to them.

I have a picture of her. The first I ever took of her. On one of the first days we’d spent together. The only one I have of her by herself; not with friends or a crowd in plaid shorts in front of some famous obelisk, or at a table with smiling people we only knew in passing. She’s beside my car. The ’56 Renault. A three-quarter profile, one skeptical eyebrow raised. The sun in her eyes. Wearing a light-colored summer dress. September ’65. A little less than a year before we were married.

I was not in the room when she died. I’d gone out for a walk. The condos all looked the same as hers. One floor. Neat lawns. Palm trees.  Swept driveways. Clean white cars with Michigan and Sunshine State plates.

I can’t remember if I suggested the walk or one of the kids did. Someone said the hospice nurse had said, “sometimes, to ease the passing, you see, you might consider leaving the room right near the end.” I was the only one who left.

In those ten short months before we got married, we’d take short, idling, weekend road trips. Filming segments of our Great American Pizza Bakeoff. Her idea. Ordering a large garlic and onion pizza in some place we’d never been before, sharing a coke with no ice. Eating the whole pie right there in the booth, wiping the grease off our chins and fingers; giving points for crust, sauce, cheese, and fold, against all the others we’d eaten. Albany, New Paltz, Brooklyn, Hoboken, Trenton, Philly.

We’d meet after classes and drive around with the windows open playing the Hollies, the Kinks, the Stones, Dylan. All the while trying to remember if a hydrohalogenation reaction with an asymmetric alkene followed the Markovnikov or the Anti-Markovnikov synthesis rule, or the names and functions of the ten cranial nerves.

But then, in June, maybe July, I said to my brother, that I couldn’t do it. Couldn’t go through with it. No way. I was twenty-one. Scared. It felt wrong. Rushed. Not at all what I wanted. He said if that was a legit reason for not getting married, nobody would do it. “You need a better excuse, than that,” he said. All I knew was that the panic that shook me was my only reason. It wasn’t good enough.

It was then in that part of the sixties that wore the clothes of the fifties. Pre-Woodstock. Pre-sexual freedom. Pre-EST. Pre-consciousness-raising. Pre-let’s-think-about-this-for-a-while-before-we-just-rush-into-something-stupid.

My brother said my mother would throw a shit fit.

Did, “your mother will throw a shit fit” compare at any level of equality with, “I don’t think either of us is ready for this?”

Neither of us knew anything about marriage, at least not happy ones. We were following a yellowed script we were handed.

Nothing more than that between us. Nothing that might help us avert twenty years of quiet sorrow, unhappiness, depression, anxiety, resentment, isolation, loose, muddled affairs, weariness. No love to guide us.

There were months of punishing silences. Punishing each other for wanting, expecting, to be loved. For not seeing a way out. Each of us stuck on an unsteady rock in a swift-running stream, and both afraid of the water. ‘Swim at your own risk’ signs all around.

We were unformed adolescents, dressed up to look like adults. We were wearing the thin-at-the-elbows, hand-me-down, itchy neuroses our parents had knitted for us.

We’d gotten it wrong. All wrong. We were no good together and too afraid to say it.

We were so much better apart. It just took so long, so worn down with so many bruises, to see that.

She died while I was out walking. I came back and everyone was quiet; eyes down. Holding one another.

And, as she lay, so recently alive, so recently herself, all that past came welling up in me. Unbidden. Unfettered.

And so, I cried.

For her. For her sadness before we split.

For me and the sadness I carried.

I had a new life, but still I cried for all that had been lost and for what had been done in the absence of love.

And too, for the long days of reading Donald E Westlake and Agatha Christie at the beach and , for cramming with her for exams, for eating no-guilt garlic and onion pizzas. For friendship. For doing what friends do and we had once done.

For not knowing how to say I’m sorry. For not knowing how to take off the clothes we had been given and been expected to wear when they neither suited who we were nor who we wanted to be.

Letter from Birmingham City Jail

Lester doesn’t write me anymore. He used to. Once a week. It’s been six months since the last one. I wait each day for a letter from him. I know better than to hope for one, but I do.

He writes well. He works at it. He puts his heart in it. His soul. Truly, his soul. He curates his words. Looks for the right one. Or, if needed, conjures one himself. So few of us feel we have the permission to make up words. He does that. I’ve never tried.

I love him.

I don’t know where he is.

We read Martin Luther King Jr.’s Letter from Birmingham City Jail together. All of us. Nine men. Eight of them black, one white. And me. I am a white woman. I teach writing. I work in correctional facilities. That’s where the work is. Rikers Island. Edgecombe. Queensboro. Mostly at Rikers.

In class one afternoon, soon after I started teaching there, he said, “What is a word, anyway? A representation, right? Only a sound. With a meaning you give to it. A meaning you get from it.”

Another man turned to him and said something I didn’t understand. And then he pretty much kept his mouth shut after that. I could see what life was like for him. Bruising.

The next day he wrote me a letter. I’d given them cards with my name and address so I wasn’t surprised that he wrote. He’s the only one who did. Of the nine men, he was the only one who wrote. It was a letter writing class.

He signed the letter, ‘Lester.’ He used the single quote marks. I wrote back.

After that, we wrote to each other once a week, even after the class ended.

None of the men were yet alive in 1963, when King wrote his letter. None of them had read it before. Some had heard about it, they said.

My husband, at the time, thought teaching the letter was a bad idea. “You’ll stir them up,” he said.

Of course, it’ll stir them up. That was part of the point. The other part of the point was the language. One thought flowing into the next. Torment, outrage, love, courage holding each other in every paragraph. A letter like that is not a cover letter for a job application. It’s the manifesto of a movement. Of course, it will stir them up. It should stir everyone up.

We read the first five paragraphs the first day. Each one taking a few sentences.

We talked about the words. The unfamiliar ones. Ones that held the most power. Purposeful words. Simple. Direct. Unflinching.

They asked who was King writing to? Why is it six pages long? We took four weeks to read it.

By the end of the fourth week, Lester wrote that he felt his life had been changed by reading it.

He thought about me each day, he wrote.

The issue of non-violence was approached with care. Did King make a good case for it? Was he just being naïve? Was he inviting harm to others? How could he expect men, women, and children to stand still and take a blow or a bullet or a mauling by a dog? How does non-violence apply to them? Can you be non-violent in Rikers? Did you feel like King in any way? Unfairly and prejudicially treated by a hostile system? An agent of change?

They talked about Attica. White supremacy. Incarceration. Reparations. All of that. John Lewis. Malcom. Bobby Seal and Philadelphia. After each class they wrote a letter about something that came up for them. Letters that some of them read aloud. Letters They would not read.

We read Woolf’s A Room of One’s Own. Woolf’s words were transcendent.

They read. Faithfully. They wrote. Letters to family. Girlfriends. Cuomo. Newspapers. Thoughtful letters. Filled with a clear and well-tempered passion.

The more I saw him, the more I came to need to be with him.

I wrote a letter to the judge for him. My husband told me I’d used bad judgment. That I was going too far. “What is too far,” I said.

“This is,” he said.

We read Celie’s letters in The Color Purple.

“I’m only trying to help him.”

“Let his mother help him.”

“I have the resources his mother may not have.”

“My God, listen to yourself! You’re not the mother to the world. You have your own two kids. Think of them.”

“Exactly. I am. Would I not want someone to do for them what I am doing for another mother’s child? Would you not want that for them?”

“But my children will not be in jail. They won’t hold up a grocery store.”

“How do you know that? How can you say that with such walled-off self-centered surety? We could be one terrible mistake away from that. Would you want your child to spend one night in jail, much less five or ten years? What or who would they be when they came out. This man is asking for help and I’m helping him.”

“You’re being duped. Used. Face it. Grow up. There is a big hard reality out there that you can’t seem to get. You do the crime; you do the time.”

“No, you’re the one being duped. Your know-it-all, I’ve-done-it-all-on-my-own, the self-made-man bullshit you tell yourself. Eighty-five percent of people in Rikers has not been convicted of a crime. That’s eight thousand men and women behind bars. Eight thousand. And they’re in that hell hole because they couldn’t make pre-trial bail. They’re not criminals.”

“They really have you by the short hairs don’t they. This homey saw a bleeding-heart liberal walk in the door holding a ‘get out of jail free’ card, and you’re it. You planning on paying his bail?

“Fuck you.”

“No, fuck you.”

We wrote back and forth for almost a year. A few friends helped me put up bail for him.

By that time, my husband was tired of sleeping in the basement and he moved out.

Lester needed a place to stay and he moved in. The kids were pretty okay with that. But nobody else was. I mean nobody.

Then my husband took the kids from me.

Lester and I said we could make it. We’d find a way.

We did.

And then we didn’t.

He needed to go. He said he’d write. Tell me where he was. Told me that sometimes you define yourself by how other people see you. And then, by who you were at another time or place. But then, it’s only who you are in relation to who you need to be. He thanked me and then he left.

He’s right, of course. He needed to go. And I’ll make it, I know. Somehow.

I still write to him. It helps me make sense of things. To make peace with myself.  I may mail them if he sends me his new address.

Dear Malachi, Your Sister the Zen, Is Moving to Alabama

Dear Malachi, how are you? I am at my wit’s end. Your father says not to worry, I’ve been there before and I always find that I have a little bit more string on that line. But this time I think he’s wrong. It’s your sister, Felicia. She told me she is moving to Alabama. I have nothing against Alabama, mind you, but, Alabama? I mean, who goes from Seventy-second Street and Fifth with a view of the park to Tuscaloosa? What does she know from Tuscaloosa? What kind of mishugas is that? I don’t know what to do. I hear they don’t wear masks there.

Ma, I’m okay. Of course, they wear masks in Alabama. Don’t believe everything you hear on the radio. Why is she going to Alabama?

Dear Malachi, I didn’t hear that on the radio. Don’t be so smart. Freida has a cousin whose son went to Alabama, Mobile, and he never came back.

What happened to him?

Dear Malachi, nothing happened to him. He got a job. He’s a big-shot lawyer. She says he makes good money, a big house, nothing like you could get here for the money.

So?

Dear Malachi, so, he met a girl and got married and Frieda says she never sees him, and she thinks he never goes to shul anymore. Your father says he’s an atheist. How many atheists do you think are in Alabama? Four?

Ma, but why is Felicia going to Alabama? And, I’m sure there’s more than four. Who cares anyway?

Dear Malachi, Felicia, my Jewish daughter, is going with her sensei, who I think she has a crush on, to what, become a Zen person like him? Your father says at least that’s better than being an atheist. Or a socialist. I don’t know what to do.

Ma, there is nothing to do. She’s an adult. She’s looking for herself. Her path, whatever. Looking for the meaning of life.

Dear Malachi, what do you mean, the meaning of life? You think life has a meaning? Listen, to me, you get born, you die, and in the meantime, you make dinner.

That’s funny, ma.

Dear Malachi, I’m not being funny. If life had meaning, don’t you think we’d all know about it? Someone would tell someone. Word would get around. Some things have meaning. Like algebra has meaning. Life doesn’t. Everybody knows about algebra. We learn it in school. That’s because algebra has meaning. You have x, and you have y ,and you get z. Boom. That’s the meaning of algebra. No big mystery. Your father says God tells us the meaning of life. Who said so, I tell him. My grandmother knew more about what’s what than God. At least she knew a good man when she saw one and she knew how long it takes for bread to rise. And it didn’t take her 40 years wandering in the desert, walking in circles, eating matzoh, to figure that one out. And don’t tell me they ate manna. Where’d that come from? God? Why didn’t he send them kasha varnishkes and some directions?

Ma, don’t you really think that life has meaning? I mean love and things like that?

Dear Malachi, I am sorry to say this to you, but in the words of Tina Turner, what’s love got to do with it? You should read your history. Mesopotamia, Gilgamesh, Peloponnesia, Genghis Kahn, Stalin, Hitler. Nixon, Pol Pot, Boko haram. Mitch McConnell. How’s all that for love? As you would say, give me break!

Ma, you sound so cynical. I’m surprised.

Malachi, Cynical? You live as long as I have and things start to add up. This has not been a good year. Maybe you think it’s unusual. It’s not. What’s unusual is that we have to wear masks and keep away from everyone. Big deal. First of all, that’s so horrible? And second, you think we have it so bad? You tell me how good the Melians had it by the Athenians? Or the Canaanites and Amalekites, all massacred by the Israelites, or the Congolese, Sumerians, Armenians, Yemeni, Aztecs, Anasazi. The Rohingya. Shall I go on? Do we learn anything from the violence, foreign and domestic? No, we just shake our heads and keep walking. Nothing to see here folks. You think COVID is a plague? It’s no plague. It didn’t have to get like this. The plague is politics. Ego, money, and politics. That’s the world’s oldest plague.

I’m sorry.

Malachi, don’t be sorry. Look, life’s no party. Never has been. If life was such a big party how come we didn’t invite the all the folks in Mumbai or Bangladesh, Nairobi, or Karachi. You think all the fat cats in the world just forgot to let two billion people who live on a dollar and a quarter a day, if that much, know about the big doings going on?

Ma…

Don’t give me Ma. I’m sorry, Malachi, I have to say it. I just don’t think we all get it yet. Maybe we never will. The seas will rise, the crops’ll die, the forests will burn the…. You’d think we might just give a damn about someone else, give a person a hand, ease up on the gas a little and say something nice. This year should’ve taught us that all-for-me-and-the-hell-with-you doesn’t work. You don’t shit in the stream because you can. It all runs downhill and that’s where the corn grows.

Ma, I know you’re right. I love you.

Malachi, I know you do. I love you too. I’m sad that Felicia is moving away. It’s not the Zen thing. She’s probably right anyway, hitting reset, with all that’s going. Maybe it’s good for her as long as a crocodile doesn’t eat her. I miss her already.

Alligators. Alligators live in Alabama, not crocodiles.

Ok. If an alligator doesn’t eat her. What a horrible thought, anyway. Call me later. I hate this texting thing.

Mama?

Mama?

Yes, yes. I had to go pee. I’m just so sad, Malachi.

I know. She’ll be alright. And, we’ll…

It’s not just that…  it’s everything. All of it together. All at once. It’s all so hard to take.