Fishman the Fool

Marvin Fishman and Darlene Meriwether broke up.  She called him a fool. A loser. A leech.

Actually she said, “You’re a forty-two year old loser, with no job, no money, no prospects, living in Malvern, Long Island, in a four-bedroom center hall colonial with his mother and a cat that lives in the basement and pees in her plants. What kind of a person does that? A loser fool.” Continue reading Fishman the Fool

Little Men

On the evening of March 2, Youseff Ahmadi, in his nineteenth year on earth, and his second month in the United States, the fourth child and only son of Zaid and Hala Ahmadi, was struck in the back of the head with a baseball bat.

He lay bleeding from his wound, a severely fractured skull, on the gritty blacktop in the parking lot at the rear of Nathan’s Famous Hotdogs, his bloodied black hair matted in the deep rent in his skull and in his being. Continue reading Little Men

Boxing Day, New York, 1947

A young mother holds her son in her arms, snug against her hip. He’s in pajamas. It is snowing and her husband has his high-buckled, black snow boots on. His pea-green army overcoat buttoned around his chest and narrow waist, standing at the door.

“I don’t think you should chance it,” she tells him.

His back is already turned to her. It is winter-morning dark. He snaps down the brim of his hat. Continue reading Boxing Day, New York, 1947

The Pompitous of Love

I am out back raking leaves. Bagging them in the paper sacks we get at the hardware store. Much like the store where I worked in summers during college, selling tenpenny nails and ball-peen hammers.

I’m raking leaves with Ezra. My son. He’s home from school in DC for the winter break. Till he meets up with his girlfriend and they drive back down to school again. Together. I like her. I’m glad for him. He’s pretty crazy about her.

The Goodenoughs across the street have six kids. All moved away by now. They pronounce their name “Good-now’ and it’s just the two of them and the one cat they adopted from the shelter. They keep up with their house. The yard. Flowers that match the season.

It’s been wet for the last few weeks and the leaves are matted dark and pressed flat against the ground and when we rake them up the grass underneath is soft and tender green. Not dried up and thin like the faded color of rye bread on the other more exposed parts of the lawn.

“Why do you think that is?” he says.

“I don’t know. Maybe it’s warmer under the leaves and dark and the grass grows and greens up a little like they do when they first sprout from the seeds underground,” I say.

“So why do we rake them?”

“What do you mean?”

“Why don’t we just leave them covered up like that all winter? Like if we weren’t around?”

I like the way he thinks. I like the things his mind turns to.

I don’t know what to tell him.

He is looking down at the grass by his feet. “So why do you do it? What’s it good for?”

“You mean is it good for the grass?”

“Yes,” he says. “Or is it aesthetics?” His voice has deepened over the year since he’s been away. His cadence has slowed.

I look around. The Goodenoughs had their lawn raked and blown clean before the first snow. Before they brought the softening, carved, pumpkins to the transfer station.

“Aesthetics, I guess.”

We hear a car and both look to follow its sound.

When his mother pulls up to the curb his eyes widen and a small curve comes to the corners of his mouth. His cheeks round. He is a beautiful boy.

He loves his mother. He loves her in a way that I cannot, nor can I know. I loved her first. But that has nothing to do with love.

He loved her the moment he took his first breath. As he was settled against her tired chest, feeling the rise and fall of her breathing. The first touch of her skin. Its redolence will be with him until his last day. A guide. A touchstone to his life.

Between them is a calibration that occurred in that instant. A setting or resetting of their biological reference points. The first shared recognition of an unshakable, wordless, similitude.

I love her too. Perhaps in many of the same ways he does. And then in different ways. Ways he will too, but with someone else. Maybe someone who smiles like she does. Perhaps not. But there will be something.

For me though it was a slower walk to love her. Slow but constant. Gravitational, almost.

A willing recalibration for each of us: of reliable habits, of a sense of self, a plumbing of personal depths.

We measured and adjusted our side-by-sidedness. Narrowing of the distance. Until being next to her was my only true place. Sharing a border, like two states, for which the only thing that separates them is an invisible understanding that they are separate but inseparable.

There was a brief introduction, ours. Confirming the names we had been told by others. A beginning. A lingua franca of friendship emerging at the copy machine. A need to see one another up close. A slow and hesitant certainty growing. A quickening when either entered the room. A pleasing recognition when you notice a strand of her hair on your shoulder.

Not enough is said about how two people come to love one another. To care for the other more than for oneself. To come to reach out for one another in the dark. To watch them as they grow and change. To ache when they ache.

Do we need to know the biochemistry of love? What good would that do? I don’t want to know. The neural pathways in the cingulate gyrus, or oxytocin receptors, or dopamine titers in synaptic junctions tell us nothing we don’t already know or need to know.

We, the three of us, walk together into the house. My fingers are numbed from the cold and wet. Ezra walks a bit ahead with his mother. I bring the rakes up to the back door. I think I will let the leaves stay where they have fallen until they are dried up and dispersed by the warming breezes we get here in April.

There is a picture of her I keep on my desk. In this one my head is down. I am wearing my black suit and she is in her white dress. My hair is not yet gray and hers is light and a few strands of it have blown across her forehead. Her cheek. She’s walking beside me. Looking at me, and her eyes are as bright and as clear as the July-blue sky behind her.

 

Robbie’s Roadside Drive-in Movie Theater

Marvin Blitzstein accepted the probate decision with a sense of equanimity.

Millie, his wife of twenty-two years, clutching a copy of Dickens’ Bleak House, saw this as just one more infuriating example of his intolerable passivity. His lassitude. His complete and consummate complaisance.

“Marvin,” she said as they had left earshot of the lawyers suite, “your brother, Melvin, who you don’t like and who you haven’t even talked to for the last eleven years, and who has unfailingly and unflinchingly screwed you out of everything you ever wanted in life, the long list of which I need not remind you of, walks away from yet another chance to make things right by you and he leaves you holding the bag of do-do once again, and you say what?” Continue reading Robbie’s Roadside Drive-in Movie Theater

The Golem on the X38 Bus

Simon Appelfeld was a good boy. He went to school each day. He obeyed the Sabbath. He did his homework. He brushed his teeth. He loved his parents and they loved him. He did not know how unusual he was.

One day on his way to school he saw that someone had left a book on the empty seat beside him on the bus. Continue reading The Golem on the X38 Bus

Malachi and His Mother Deconstruct Good and Evil

“Malachi, you’re not eating. What’s wrong?”

“Nothing, Ma.”

“Don’t say ‘nothing,’ I know you. I know it’s something. You haven’t touched the tsimis and you love my tsimis. And you have that look on your face.”

“What look?”

“That ‘Ma, something is wrong but I’m afraid to tell you because you’ll be upset and maybe have a heart attack look on your face.’ That’s what look.” Continue reading Malachi and His Mother Deconstruct Good and Evil

Chava Shapiro: The Fresh Air Interview

Welcome back. I’m Terry Gross and you are listening to Fresh Air. If you’re just joining us, we have been talking with the remarkable Chava Shapiro. She was recently featured in a series of short stories published on an online journal website. She is here to talk with us about those stories, writing, and being a lesser-known female author working on the edges of the publishing industry.

 For those of you unfamiliar with her most recent story, it is called The Good Life of Avrum and Chava.

Ms. Shapiro, let me ask you, in the story, the central character, Chava, is seen as sort of a ‘Good Wife.’ Why did you pick that kind of a character to write about and how close is it to your own life? And why do you call it the ‘good life?’ Continue reading Chava Shapiro: The Fresh Air Interview

My Dearest Malachi, This Is Me, Your Mother

My Dearest Malachi, This is me, your mother. This is a joke. Right? Your brother Myron has told me about your new, and you should pardon the expression, ferkakte, adventure. Why are you doing this to me? You think I don’t have enough to worry about? Why didn’t you tell us? Your father is a wreck. Me? Not so much. He is going to plotz. He’s sitting on the living room floor this very minute watching CNN for news about you and pulling his hair out. But you shouldn’t let that bother you. Continue reading My Dearest Malachi, This Is Me, Your Mother