Birds on a Wire

On the way to the F train stop by Prospect Park, Victor Maisel stopped for coffee at the Two Little Red Hens. A tiny bakery on 8th Avenue, between 11th and twelfth Streets. The morning was cold and there was a short line ahead of him. He scanned the pastries in the display case while waiting to order. 

He was unsure of what he might order or if, in fact, he would order anything other than the coffee. 

A woman wearing a long black broad shouldered cashmere coat was waiting in front of him, tapping her foot in a way Victor found annoying. She reminded him of the tall tightly wound actress in Just Shoot Me. 

He felt like saying to her, ‘There’s really nothing either of us can do to speed things up, so give yourself a break.’ But then he thought, ‘Isn’t it just as foolish of me to be annoyed with her for being annoyed?’ His mother would have told him he was just caught in the finger trap of one of his dark moods.

Just Shoot Me ordered a cinnamon bun and said, “Isn’t that one missing some icing?” “Can I have a different one?” 

“It’s the last one.”

Victor could see that. Surely she had when right in front of Victor’s eyes she had pointed to it, but perhaps, he thought, maybe not. 

“Do you want it or not?”

“Yes, but could you put a little more icing on it?”

She turned back to Victor. “They try make you think it’s the very last one so that you take it even though the reason it’s the last one there is because no one else wanted to take it. But, if it really is the last one, I want it and there’s no reason I can’t have it the way I want it, you know what I mean?”

Victor did know what she meant. One needed to watch out for oneself. No one else will. People take advantage. Treat you badly. Intentionally. Without cause or consideration. 

A middle-aged man in a newsboy hat and a gray gabardine overcoat was sitting at the window counter facing the avenue. He looked at Victor, casting his eyes upward in a theatrical ‘God help us!’ plea. Which Victor saw as recognition of the shared moment. 

Often, on passing by the shop on his way to work, Victor saw the man in the newsboy hat sitting alone with a coffee cup on the bench in front of the pastry shop or if it was cold or raining, at the window inside, as he was then. The man, who Victor knew as Benjamin, would always lift two fingers and nod as Victor walked by. 

Victor enjoyed the casual familiarity of the simple gesture. 

The young girl behind the counter went to the back of the shop, holding the bun in one hand and the bag in the other.

One morning last spring, Victor brought his coffee out to the bench and squeezed in beside Benjamin’s briefcase.

Benjamin was wearing neatly pressed tweed trousers, a pale blue button-front shirt, open at the collar, a soft brown faux-leather jacket. Eyes lost in thought.

“Oh, hello,” Benjamin had said. “I’m sorry. I was just distracted. I didn’t mean to seem to ignore you.” He moved his briefcase onto his lap.

“Oh, that’s fine. Mind if I sit here?”

“No, no. Not at all.” Which he pronounced as ‘nota-tall.’

Before Victor could think of anything to say, Benjamin said, “What do you do?”

“I’m a medical writer.”

“A doctor?”

“Not a real doctor, as some would say. No. I used to be a college teacher and now I work for a Med Ed company.”

“So, you’re not really a doctor.”

“No, not in the way I think you might mean it. No.”

“I’m a film editor,” said Benjamin.

“That sounds like such a great job.”

“That’s what everybody says.”

“What do you mean?”

“I mean it sounds a lot better than it is. It’s not glamorous, like you might think. I don’t know any actors or anything like that.”

“Where do you work?”

“At home. All my equipment‘s there.”

“I’d love all that independence. It must be good.”

“It could be, I guess. But it’s, you know, kind of isolating. I mean it’s good in a way. I can work at any time of the day. Start whenever. No distractions. But it’s isolated. You know what I mean?”

“Yes. I can see that.”

“I mean, sometimes there’s no work, and then it’s all high pressure, getting the dailies back at night. I mean that kind of makes it feel less creative, you know. More like a plumber knee-deep in water…” 

“I’ve never worked like that. On my own time. Take the jobs you like. Get them done. Move on. Your own person. I have to be in the office by eight-thirty at the latest every day. They watch you come in. When you leave. You have a certain number of billable hours you have to work each week. Time sheets. Project numbers. The runners bring the job folders in. You sign for them. Then they come pick them up… and it’s not really Med Ed. It’s more like Med Ad.”

“I’d love that. The hustle and bustle. Meetings. Do you have meetings?”

“Yes…”

“… The exchange of ideas. The back and forth, riffing off one another. The vibe. It sounds great.”

“… but meetings are mostly a waste. They drag on and when you leave someone asks, ‘What are we supposed to do?’ Really. And even when I go back to my area. They call them areas now, open plan, no doors or windows. I find it difficult to write, even to think, in the midst of other people, working or not working. The physical pressure of people while I am working is oppressive.” 

“Don’t you find, though, that creativity is fed by other ideas, words, images?”

“Yes, but not often enough.”

In the bakery, with two more people lined up behind him, Victor began to feel dizzyingly warm. 

The girl came back out and showed Just Shoot Me that the baker had added extra icing.

She took the bag and left the shop.

Victor asked the girl if there were any more cinnamon buns. 

She looked at him. “No, that was the last one. There’s another batch in about an hour.”

“That’s ok. I’ll have a coffee, black with sugar, and… no, yes, no, that’s it. Just the coffee.” He brought the coffee over to the window where Benjamin sat. Cars hustled by, heading toward Flatbush and the bridge. Victor tugged at his tie. Opened his top shirt button.

“Today’s my last day,” he said.

“What do you mean?”

“They’re going to let me go today,” Victor said.

“How do you know that?”

“They let the medical director go yesterday. No notice. Right after five, they called her in. Just a one-on-one with HR. She called me to tell me that I’d probably be next. No reason, they told her, just pack your things, and when she came out of the meeting, all the office doors along the hall were closed. Like everybody knew it was coming and nobody wanted to be seen witnessing it. Like when the lights flicker at midnight when someone gets the electric chair.”

“Shit,” said Benjamin. “I’m sorry.” 

“Yeah, thanks. I don’t want to go in today. I’m thinking about calling in sick and let it just end like that. I’m not putting myself through that. I’ve never been fired before…”

“Neither have I.”

“I don’t know what I’ll do. I think I’ll just sit here for a while. I don’t want to go there. To go through that charade, playing surprised and hurt and angry. They’ve seen that show plenty. I’m not playing. I’m done. I’m too old for that.”

The train rumbled under their feet. It squealed to a stop and then started up again running toward the city.

Victor lifted the cup to his lips, breathed in deeply, and took a small slow sip.

Benjamin looked at him and then looked away, out toward the traffic on the avenue.

Breaking the Judy Blues Eyes Rule

Nathan M. flew from Logan to West Palm Beach. He had taken a few days off from work. His son, the oldest one, picked him up at the airport, and they talked, mostly about the weather in Boston, their jobs, and the Mets on the car ride up to St. Lucie. It was spring training season and it felt like late July in the Back Bay.

 Nathan asked his son if he could turn up the car radio. Billy Joel. Piano Man.

His son always had Billy Joel on whenever Nathan got in his truck. He wondered whether his son really liked Billy Joel or if he only played it because they used to listen to him, volume turned high, when the two of them lived together. That was in the years after his mother and Nathan had split and his son moved back home after college. Either way, it made him happy. He could feel his shoulders relax.

“He says, ‘Son can you play me a memory?

I’m not really sure how it goes

But it’s sad and it’s sweet and I knew it complete

When I wore a younger man’s clothes.’”

His son had started calling Nathan pretty regularly after his mother had been diagnosed with ALS. This was after he’d finished grad school, gotten married to a young woman from Mississippi, and they moved to Florida to be near to his mother.

Nathan and Helen, the boy’s mother, had three children and all three had moved to Florida to be near her.

Nathan now had two young children with his new wife. They lived in Boston, close to where her family lived.

He’d flown down when his son called to say that Helen was dying, asking if he wanted to come see her for the last time.

Each of his children and their partners were there. They were all in her spare bedroom with the hospital bed and medical equipment. No one spoke when he walked in. They looked at him and smiled. He and Helen had had a troubled past.

Each of them took turns sitting briefly in a chair by Helen’s bed. The IV drip had been unplugged, though the line with the morphine pump was still clicking on and off. Nathan sat by the bed once, maybe twice, for a few minutes each time, hoping and not hoping she would open her eyes and see him there. A thin blanket covered her body. Her face was sharp and gaunt.

He and Helen had married in August of sixty-six. It was hot and he’d worn a suit he’d rented.

Nathan had kept one picture of her. The first one he’d ever taken of her. On one of the first days they’d spent together. The only one he had of her by herself—not with friends or in a crowd of tourists wearing plaid and untucked shirts in front of some famous monument or around a table with smiling people with raised glasses leaning in towards one another though they’d only just met one another.

In this photo she’s standing beside his car. In three-quarter profile, one skeptical eyebrow raised. Her hand shading the sun from her eyes. In a light-colored summer dress. The photo was from September ’65. A little less than a year before they were married.

After Nathan had been there for a while, the hospice nurse had said, “Sometimes, right near the end, you see, one or the other of you might consider leaving the room, to ease the passing.”

She’d said it to all of them, but he was the only one who then left.

He went out for a walk. Passing pastel condos like hers. Neat lawns. Palm trees. Swept driveways. Clean white cars with Michigan and new Sunshine State plates. Nobody to be seen in the yards. No sounds other than those of yelping poodles behind drawn curtains and trucks on the interstate.

He was not in the room when she died.

In the ten months before he and Helen were married, they had taken short, uncomplicated trips. Sampling large pizzas with garlic and onion in places they’d never been before, sharing a Coke with no ice. Eating the whole pie right there in the booth, wiping the grease off their chins and fingers, laughing, giving half-serious points for crust, chew, sauce, cheese, and its New York-style foldability, compared with the others they’d eaten. Tony and Tina’s on Arthur Avenue, Joe’s on Carmine Street, Pasty’s on 56th Street. The Famous and not so Famous Original Rays.

Driving around with the windows open playing the Zombies and Stones tapes. Cramming for organic chemistry exams together: The sequence of steps in the hydrohalogenation reaction of an asymmetric alkene. The Bischler-Napieralski reaction. He wanted badly to go to medical school. She wasn’t interested in any more school and wanted to get a job.

So, instead, they got married.

 Before that, in June or July, Nathan told his older brother that he couldn’t do it. Couldn’t go through with it. No way. He was twenty-one. Scared. Rushed. Not at all what he wanted. His brother said if that was a legit reason for not getting married, nobody would do it. “You need a better excuse than that,” he said. If that was his only reason, it wasn’t good enough.

It was during that part of the sixties that still wore the clothes of the fifties. Pre-Woodstock. Pre-sexual freedom. Pre-EST. Pre-consciousness-raising. The pre-let’s-think-about-this-and-see-the-world-for-a-while-before-we-just-rush-into-something-stupid part of the sixties.

His brother said their mother would throw a shit fit if he backed out. And so, he didn’t. They moved into an apartment together. Bought an Ethan Allen couch and a rocking chair. They nailed pictures up on the walls and kept their socks and underwear in separate dressers.

Neither of them knew anything about marriage, at least not good ones. They followed a hand-me-down script they were given, with nothing more than that to go on. Nothing that might help them avert twenty years of quiet unhappiness, depression, anxiety, resentment, isolation, loose and muddled affairs, and weariness. No real, deep, understanding of love to guide them.

Both wanting, expecting, to love and to be loved. And when they didn’t know how to make that happen and didn’t see a way out, they both kept stepping deeper into a muddy river which only got wider the further they got in.

They were little more than adolescents made up to look like adults, with three children and the old thin-at-the-elbows neuroses their parents had given to them. They were no good together, and each was too afraid to say it.

They split. They found they were so much better apart. Happier. It just took so long for that to happen.

She died that afternoon while he was out walking.

Then, as she lay, so recently alive, so recently herself, all of that past came welling up in him.

And so, he cried. For her. And for himself. For their shared and separate sadness before they split. For the joy they had missed when they were together.

On the flight back up to Logan, looking down at the blue, blue ocean, he listened to the circling lyrics of songs he once knew by heart and only now remembered as fragments on repeat in his brain. Words and melodies worn deeply into the grooves of his synapses.

Only then, belatedly, did he see that he had broken the Judy Blue Eye’s Rule.

He had stood by her bed. Taken his turn in the chair beside her. And, even then, at that moment, when she had so little time left, he had not seen her as who she was. Only who she had been … and only in relation to himself. As he had done in the past, seeing her only through his too-young-to-see-clearly eyes.

Even then as she was near to breathing her last human breath, his vision of her was still clouded by the remnants of who she had seemed to be in the past. Not the woman she was. The one who she always had been, and he could not see. CSN. Suite: Judy Blue Eyes.

“Don’t let the past remind us of what we are not now

I am not dreaming

I am yours, you are mine, you are what you are…”